Monday, December 7, 2009

How to Actively Support the Music you Love – By Brian McTear, Weathervane Music

[THE FOLLOWING ARTICLE WAS ORIGINALLY POSTED ON THE FUTURE OF MUSIC COALITION’S WEBSITE. THANKS TO KRISTIN THOMSON AND CASEY RAE-HUNTER FOR THE INTRODUCTION AND THIS GREAT OPPORTUNITY TO TALK ABOUT SUCH IMPORTANT THINGS!]

THANK YOU KISH FOR BRINGING THIS TO MY ATTENTION!!!!!!!!!

Today’s post is by Brian McTear, co-founder of Philadelphia’s Weathervane Music Organization– a nonprofit community that works with independent musicians to support and advance their careers. Weathervane’s efforts revolve around a program called the Weathervane Music Project Series: a curated series of audio and video recordings featuring the artists, their music and artfully produced video of the actual recording sessions.

When some people think about the lives of musicians, they may still imagine wild parties and fancy sports cars. There may be a party from time to time, but for most musicians, pursuing their art isn’t exactly the fast track to a life of luxury. With the traditional music industry in a state of what could safely be called disarray, there isn’t a ready-made recipe for sustainable careers. The good news is that people still put their hearts and souls into making music, and there are still plenty of fans out there that want to support creators. But what’s the best way to do so?

With so many things in flux, it’s not always easy to know which method of fan support will have the biggest impact. That’s why we figured it might be useful to take a look at some of the ways you can support your favorite artists and how it can positively impact those musicians’ bottom lines — directly or indirectly.

1. Go see your favorite bands play live. In the music industry, an artist is rarely handed money directly. In pretty much every other situation, a band gets its cut of revenues only after everyone else in line is paid. (And that can be a long line!) But when it comes to playing live, most get paid right when the night is over. Because of this I say that if you are friends with a band and they offer to put you on their guest list, you should… Decline! Pay instead! You will show your class in spades.
2. When you go see shows, buy hard copies of your favorite bands’ music. Most smaller signed artists get “tour support” from their record label in the form of free records to sell at shows. Buying a CD from the band means they can buy gas to get them to the next gig. Conversely, if they don’t sell them, all they’re really doing is wasting gas driving them around the country. So if you are offered a free CD or vinyl LP (because naturally they want you to hear their music, right?), opt to pay for it. You are doing the right thing, and saving them from themselves.
3. Buy your favorite bands’ merchandise. Very often, artists pay for their t-shirts themselves, or even MAKE them with their own hands. This means that they did, in fact, shell out the money for materials, and possibly someone else’s labor if they used a printer. Help them break even, or maybe even turn a profit! This is another rare opportunity in the scheme of things for the musicians to be first in line. Help them out!
4. Purchase downloads legitimately. Purchasing digital downloads from services like iTunes, Amazon, eMusic or Rhapsody also puts money in artists’ pockets. When it comes to digital downloads, there’s a wide spectrum of rates, and some artists profit more than others. Although there’s a common assumption that artists only make pennies on their iTunes or Rhapsody sales, this depends entirely on the label/distribution situation. The more independent an artist is — and certainly if the artist is unsigned and they self-released using Tune-Core (a service that doesn’t take a cut of the sales) the greater the percentage they stand to make from the download.
5. Use a legitimate streaming service such as Rhapsody, Napster, Pandora or Spotify (not yet available in the US). If you require an unfathomably large collection of music, this is the way to go. Not only are they safe for your computer, but since these services are properly licensed, the songwriter, publisher, performer and copyright owner (usually a record label) get paid for each stream of their song. It’s currently a small amount, but if you play it again and again, it adds up! Beyond payment, there are many valuable statistics and web metrics an artist can access when you use these services. This way, they know where people are digging their stuff and can plan their tours and releases accordingly.
6. Contribute to Band Fundraisers – Gone are the days of record advances, at least for new artists. Unfortunately, this is how they paid to record and to go on tour. Now, many artists are using fundraising sites such as Kickstarter.com to raise money in advance of these activities. Enjoy the opportunity to support the music you love before it even gets made! Another huge class act!
7. Subscribe to artists’ fan clubs. By doing so, you not only get first access to news and tour dates, you also help to legitimize and support one of the smartest, most industrious things an artist can do for their career.
8. Join a band’s email list. By simply becoming a fan on their Facebook Fan Page, or their Myspace Page, the artist doesn’t have your data, Facebook and Myspace do! If for some reason they lose their account with either, they lose you and you lose them. It’s a simple process, and most artists know not to email you constantly!
9. Support nonprofits that support musicians. I can truly say that far too few musicians are participating in conversations about where this industry is going. The inevitable result will be that musicians, again, end up at the far end of the line. Organizations such as (..ahem….) Future of Music Coalition, Weathervane Music and others are staffed by people who are dedicated to making sure that artists can achieve sustainable and lucrative careers in music.
10. Stop using Torrent sites. Go back and buy the records of the artists you fell in love with by using Torrent sites. The simple act of paying for the music that you love will surely buy back your ticket to heaven. And of course, we don’t even need to go into the dangers of downloading from Torrent sites, anyway.

Brian McTear is a musician, producer, recording engineer and the owner of Miner Street Recordings, the Philadelphia recording studio revered by independent musicians around the country. In the 13 years that McTear has worked in Philadelphia, he has produced over 100 records, has played a large part in the resurgence and success of the independent music community in Philadelphia, and the national and international success of several recording artists. McTear writes songs and sings in the band Bitter bitter weeks, and plays guitar with The Novenas.

3 comments:

  1. I think that supporting songwriters too is an important aspect of supporting the music industry as a whole. I recently read Learn Song Marketing From Book Authors and found it quite insightful.

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  2. I'm not a genius or anything but I kind of have an aversion to the final point of "dont use torrent sites" this particular declaration is far too unrealistic to the reality in which torrent sites soulseek etc has helped independant music become more available to the masses.

    For me the aspect of a musician who makes something and gets known is due in part to that of these mediums.
    The altruistic self destruction I can very much recognize. It's natural after all for many people to download thousands of albums a year and never buy more than a handful but that quite sadly is because they previewed the album and never felt inclined to purchase it.
    This is in my opinion a necessary darwinism that seperates the taste makers music from the music you really enjoy.
    It's likely that the music being purchased is being purchased for a reason not just because it happened to have a catchy hook.

    I don't know if that is related to artistic integrity but the artist should remain as shameless as they have to be whether or not the music sells.
    Whether or not this ultimately destroys them is irrelevant to the fact that artists are either born into trustfunds or die poor.
    Perhaps in some twisted fashion I am supporting a status quo some people aren't aware of so I'd like to sum it up with the following...

    If someone downloads an album and they like more than the single by the hard copy. Otherwise grab a track and an acoustic one off of your payable site.
    If you have a last.fm account and see you stop listening to the track less than 3 times that month maybe the music wasn;t worth listening to in the first place to the individual and perhaps the few minutes they did listen to wasted precious moments of their life that can never be given back or enjoyed by listening to another track. That moment of your life has ended one verse at a time and the only thing the artist should consider is they have been considered and that is something one can take solace in.

    In anycase I love the album and am sad that great lake swimmers and Sharon Van Etten Sold out before I could even get back to the city to buy some.

    Now do I proceed to indulge the decadence of scalpers?

    I also like the lyrics to Eyedea's
    "How Much do you pay?"

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